Justine Themen, Corey Campbell and Balisha Karra will be handed the keys to the theatre for Coventry’s year as City of Culture.
The Belgrade Theatre Coventry is delighted to announce the appointment of Corey Campbell, Balisha Karra and Justine Themen as the three Co-Artistic Directors who will oversee its producing programme for Coventry’s year as City of Culture in 2021.
The recruitment follows a call-out for two theatre-makers to join the Belgrade’s Deputy Artistic Director Justine Themen in taking over the planning and programming of the Belgrade’s home-produced work for 2021. As well as introducing fresh perspectives to the Belgrade, it is hoped that the appointments will provide a new model for lasting change across the theatre industry.
Working collaboratively with emerging artists, diverse talent and local communities, the three Co-Artistic Directors will deliver an ambitious programme of produced work for the year. This will sit alongside the Theatre’s usual variety of presented work, including a wide range of touring musicals, classic drama, live music and family shows.
Titled “Keys”, the project was partly inspired by the story of the African-American actor Ira Aldridge who, at the age of 21, became the first person of colour to manage a British theatre when he was handed the keys of the Coventry Theatre in 1828. At the time, slavery was still legal throughout the British Empire, and Aldridge’s speeches on the subject spurred on the people of Coventry to campaign for its abolition.
“Coventry has a long history of innovation, inclusivity and championing unheard voices. Today, it is one of the UK’s youngest and most diverse cities, so it felt fitting to honour Ira Aldridge’s legacy by ensuring that we continue to amplify marginalised voices, providing an opportunity for a new generation of creative talent to explore their own ideas about how to take the industry forward.
"We look forward to building our relationship with them, and to seeing how their vision develops alongside our existing programme, helping us to evolve our longer-term approach as a theatre.”
Corey Campbell is Artistic Director of Strictly Arts Theatre Company, formerly supported by the Belgrade’s Springboard talent development programme (link to Springboard page). Through productions such as Green Leaves Fall and the critically acclaimed, Edinburgh sell-out show Freeman, Strictly Arts have used their collaborative, devising process to bring stories from real people to the stage, building long-lasting relationships with audiences through targeted workshop and outreach programmes, with a particular focus on African and Caribbean communities.
Balisha Karra is currently Director in Residence at the Old Vic Theatre. Working with organisations such as Kali Theatre and Tamasha, she has developed a strong network of creatives of South Asian heritage, working towards a more open and inclusive theatre culture. As well as collaborating with Corey Campbell as Assistant Director on the award-winning Freeman, she has also developed an understanding of the Midlands’ diverse communities through her directing and producing work with Birmingham Repertory Theatre and BE Festival.
Appointed Associate Director of the Belgrade Theatre in 2003, Justine Themen has 16 years’ experience working with Coventry’s communities, and played an instrumental role in securing the Belgrade’s UK Theatre Award for the Promotion of Diversity in 2016. During her tenure, she has built a small participatory programme into a broad-reaching ethos for Community Engagement, embedding the Creative Case for Diversity and Talent Development across the work of the building. Her directing work focuses on new writing from women and writers of colour, work co-created with communities, and Theatre in Education.
“We are a creative city, and the Trust is committed to building a programme for 2021 that is co-created, supporting and investing in people from many different communities across the city to develop imaginative events and activities.
"We are delighted that the new artistic team at the Belgrade are also committed to testing how they co-create new programmes, working with local communities of all ages, abilities and backgrounds and to really understand the role of the theatre in our 21st century city.”